...lives and works on Wolphaertstraat since 2007Â
...studied fashion design at the ARTEZ Art Academy in Arnhem
From the W1555 Neighbourhood-newspaper of March 2024, by Lobke. Translated by Honey.
How are you? What are you up to these days?
I’m good! I'm currently working on a project using 3D printing and gold leaf, so everything in my studio is dusted with gold. :-)
What type of work do you make? And what themes keep you busy?
I started my couture studio in 2007 where I make everything by hand. In my studio I create small collections, accessories and technical couture designs. The abundance of details, shape and use of materials in these designs give a good idea of my overall vision on fashion; everything is possible. My frequent use of sculptural forms arose from a fascination and freedom to alienate the body in a special way through fashion. Themes such as the infinite possibilities of future technology, the power of repetition and innovation flow through my work. I am hugely driven to make fashion/couture more innovative, which I do, for example, by literally integrating technology into my work (and combining it with craft). This unique combination enriches the viewer's experience, which you can see examples of in my TranSwarm Entities project, where 4 integrated mini drones fly out from a dress to the tune of some music. I also use technology as a craft tool to produce my materials.
Where do you get your inspiration for your work?
Important sources of inspiration are my own imagination and emotions, loud electronic music and structures/complexity in nature.
You work with various materials. How do you determine your technique and do you have a preference for a particular technique?
I started using the term 'manual 3D printing' after I discovered the endless possibilities of a 3D pen in 2015. A 3D pen is a kind of glue gun where hot plastic can be used to build up 3D shapes. This quickly became a favourite production technique for me, because I build up a design through repetition, and using this pen enables me to print special materials, structures and surfaces. It’s a time-consuming way to produce (I usually work 800-1000 hours on 1 couture design), but it’s certainly no less fun!
You also make commissioned works. What would your dream assignment be?
I’d like to have the opportunity to collaborate more with technical companies, so I can develop new skills with which to work into my design processes. I really believe in the power of experiment and collaboration across different disciplines.
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